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Director

"A Triumph from start to finish"

The Stage on The Entertainer

selected productions

Current/Up Next

​Mother Goose  |  James Barry & Robin Belfield  |  Theatre Royal Winchester  |  Christmas 2024

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Princess Essex  |  Anne Odeke  |  Shakespeare's Globe  |  Summer 2024

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Princess Essex
Shakespeare's Globe
Blue/Orange
Richard Burton Company
Twelfth Night
Royal Shakespeare Company
The Legend of Sleepy Hollow
ICTheatre

Previous

​37 Plays Project (rehearsed readings) |  Beltane by Billie Collins  |  Go Back Home by Hannah Shury-Smith  |  Evie of Windrush by Joan Jackson-Callen  |  The RSC 

 

Moving Stories |  various  |  UNHCR at Shakespeare's Globe  

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​Red Velvet  |  Lolita Chakrabarti  |  Royal Welsh College of Music & Drama 

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​The Merchant of Venice  |  William Shakespeare  |  The RSC (First Encounters Tour) 

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Sapho & Phao  |  John Lyly  |  The RSC (Next Generation) 

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Walking The Chains  |  ACH Smith  |  Passenger Shed, Bristol 

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Othello  |  William Shakespeare  |  Nuffield Theatre & Yellowtale Theatre

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Hibiscus Hotel  |  Robin Belfield  |  Yellowtale Theatre, Nassau, Bahamas

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Treasure Island  |  Toby Hulse  |  The Watermill Theatre, Newbury

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A Christmas Carol  |  adpt. David Holman  |  The Dukes, Lancaster

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The Entertainer  |  John Osborne  |  Nuffield Theatre, Southampton

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Click here for full CV...

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"Direction from Robin Belfield ensures the humour never feels misplaced, and the play's commitment to addressing these issues head on while providing laughter is commendable...A rare achievement"

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Theatre Weekly on Princess Essex

"Inspiring"

Drama & Theatre on Twelfth Night

"Robin Belfield's Fast moving, wonderfully engaging adaptation"

Jewish Renaissance on The Merchant of Venice

Training

'Amplify' Management Training  |  The Management Centre / The RSC  |  2017

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Staff Director  |  National Theatre  |  2008-2010

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Regional Theatre Young Director Scheme  |  Nuffield Theatre  |  2003-2005

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Assistant Director  |  Bristol Old Vic  |  2001

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BA (Hons) Drama - 1st class  |  University of Bristol  |  1998-2001

"The integration of acrobats and aerialists is very neatly done in Robin Belfield's lively production, which uses height and length to convey a real sense of the architecture of the [Clifton Suspension] bridge." ​

The Guardian on Walking the Chains

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